A Journal That Feels as Good as It Looks.
Embossed covers featuring well-known artwork, decorated petal-and-vine page edges, two ribbon markers, and 176 lined pages — the journal that makes writing feel like a whole experience.
Details:
- Embossed poly, flexi-bound
- 176 lined pages with decorative edges
- Two ribbon markers
- 8.26" x 5.90" x 0.51"
- Available in multiple art cover designs
Variants/About the Art & Artist
Yellow: Kate Heiss's Sunflower Fields -
Kate Heiss is a contemporary British printmaker whose lino prints and screen prints draw from her garden, rural landscapes, and a deep love of bold floral textile patterns. Sunflower Fields captures that warmth in full — vivid, grounded, and unmistakably hers.
Blue: Vicky Yorke's Ziva Blue Vase Flowers -
Vicky Yorke is a surface pattern designer and illustrator working from her home studio in semi-rural Worcestershire. Ziva Blue brings her soft, considered approach to color and pattern into a design that feels both contemporary and quietly timeless.
Green: William Morris's Seaweed -
William Morris — architect, writer, social campaigner, and central figure of the Arts and Crafts movement — created Seaweed as part of his lifelong pursuit of beauty in everyday objects. Its sinuous botanical lines are as compelling now as they were in the nineteenth century.
Pink: Lucy Innes Williams's Pink Garden House -
Lucy Innes Williams is a painter and illustrator drawn to the highly ornate textiles and decorative arts of the early-mid twentieth century. Pink Garden House is richly patterned and quietly romantic — a design with real depth and staying power.
Red: Robert John Thornton’s's The Temple of Flora -
The most celebrated image from Thornton's ambitious 1799–1807 botanical masterwork, The Temple of Flora elevated plant illustration to fine art. Dramatic, lush, and instantly recognizable — a piece of botanical history to carry with you.
Black: Lowry's Matchstick Men -
L.S. Lowry made industrial north-west England his own — the mills, the streets, and the matchstick figures moving through them. His work is as much about the rhythm of working-class life as it is about place, and unmistakable at a glance.
